en:authors:omachi-masami:start
Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| en:authors:omachi-masami:start [2025/11/07 16:54] – [Introduction] admin | en:authors:omachi-masami:start [2025/11/25 17:02] (current) – [Paper-Based Solid Models] admin | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| ~~NOTOC~~ | ~~NOTOC~~ | ||
| - | ====== | + | |
| + | ====== | ||
| {{: | {{: | ||
| + | |||
| ===== Profile ===== | ===== Profile ===== | ||
| - | **Name**: | + | **Name**: |
| **Lifespan**: | **Lifespan**: | ||
| - | **Place of Birth**: Osaka City, Japan\\ | ||
| ===== Prologue ===== | ===== Prologue ===== | ||
| - | <WRAP box round 90%%> | + | <WRAP box round 90%> |
| + | This page provides an integrated overview of Ōmachi Masami’s biography, | ||
| + | major works, paper-based techniques, and related archival materials. | ||
| + | Original sources are respected, with minimal editorial clarification. | ||
| </ | </ | ||
| ===== Introduction ===== | ===== Introduction ===== | ||
| - | **Masami Ōmachi — “Clown of the Sky,” a Legendary Solid-Modeler | + | **Masami Ōmachi — the “Clown of the Sky,” a legendary solid-modeler |
| - | Masami | + | Ōmachi is remembered as a pivotal |
| + | Despite | ||
| + | establishing a standard of precision, speed, and stylistic clarity that influenced | ||
| - | Nicknamed the “Clown of the Sky,” he combined playful | + | Nicknamed the **“Clown of the Sky,”** he combined playful |
| + | aeronautical | ||
| + | |||
| + | The photograph | ||
| + | taken inside Ōmachi’s | ||
| {{: | {{: | ||
| - | Ōmachi’s legacy | + | |
| + | Ōmachi’s legacy | ||
| + | but in fostering a culture that values | ||
| + | and regards solid modeling as both historical | ||
| ---- | ---- | ||
| - | ===== Work ===== | + | ===== Paper-Based Solid Models |
| <WRAP box round 90%> | <WRAP box round 90%> | ||
| - | **Fw190-D9 (1:50) Construction Record** | + | During a period when wooden solid models dominated the field, |
| - | [[en: | + | Ōmachi pioneered a unique method using **thick card and celluloid** |
| + | to produce | ||
| + | |||
| + | The term *“paper solid model”* is conceptually paradoxical— | ||
| + | traditionally, | ||
| + | Ōmachi intentionally crossed this boundary, treating paper not as a substitute | ||
| + | but as a **creative transformation of the solid-modeling mindset**. | ||
| + | |||
| + | Representative articles (from *Sekai no Kōkūki*, 1955):\\ | ||
| + | * [[en: | ||
| + | * [[en: | ||
| + | [[en: | ||
| </ | </ | ||
| + | ---- | ||
| + | ===== Major Works ===== | ||
| + | <WRAP box round 90%> | ||
| + | * 1955 — *Sekai no Kōkūki* — Ki-44 (paper-based)\\ | ||
| + | * 1956 — *Sekai no Kōkūki* — F-100A (1:50)\\ | ||
| + | * 1955 — *Kōkū Fan* — F4U-5N Corsair (1:50)\\ | ||
| + | * 1956 — *Kōkū Fan* — A6M5 Zero (1:50)\\ | ||
| + | * 1956 — *Kōkū Fan* — F7U Cutlass (1:50)\\ | ||
| + | * 1956 — *Kōkū Fan* — S2F Tracker (1:50)\\ | ||
| + | * 1957 — *Kōkū Fan* — Ju-87B Stuka (1:50)\\ | ||
| + | * 1957 — *Kōkū Fan* — RB-26 Invader (1:50)\\ | ||
| + | [[en: | ||
| + | </ | ||
| + | ---- | ||
| + | ===== Related Pages ===== | ||
| + | * [[en: | ||
| + | * [[en: | ||
| + | |||
| + | ---- | ||
| + | ===== Editorial Notes ===== | ||
| + | <WRAP info 85%> | ||
| + | * Original expressions are preserved wherever possible, with minimal clarification.\\ | ||
| + | * Image usage follows proper archival handling and permissions.\\ | ||
| + | * Additional materials—diagrams, | ||
| + | </ | ||
| + | |||
| + | |||
| + | <WRAP center small> | ||
| + | [[en: | ||
| + | </ | ||
en/authors/omachi-masami/start.1762502099.txt.gz · Last modified: by admin