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| - | ~~NOTRANS~~ | ||
| ~~NOTOC~~ | ~~NOTOC~~ | ||
| - | ====== | + | |
| + | ====== Kazu Fukuda | ||
| {{: | {{: | ||
| + | |||
| ===== Profile ===== | ===== Profile ===== | ||
| + | |||
| **Name**: Kazu Fukuda\\ | **Name**: Kazu Fukuda\\ | ||
| **Date of Birth**: 1941-05-21\\ | **Date of Birth**: 1941-05-21\\ | ||
| **Date of Passing**: 2009-09-08\\ | **Date of Passing**: 2009-09-08\\ | ||
| - | **Place of Birth**: Fengtian, former Manchukuo | + | **Place of Birth**: Fengtian, former Manchukuo |
| + | **Affiliation**: | ||
| + | **Main Field**: Solid models, mainly Luftwaffe aircraft in 1:50 scale | ||
| - | ===== Prologue | + | ---- |
| - | <WRAP box round 90%%> | + | |
| - | The publication | + | ===== Introduction |
| - | What began as a plan to showcase only his *completed solid models* gradually evolved, | + | |
| - | as we both recognized | + | <WRAP box round 90%> |
| + | The reason why the works and construction records | ||
| + | |||
| + | At first, the main purpose was to introduce | ||
| + | However, through continued exchanges, it became clear that not only the completed models, but also the **making process itself**, had great historical value. | ||
| + | |||
| + | What Mr. Fukuda left behind was not only finished models. | ||
| + | He also left records showing many stages | ||
| + | |||
| + | Through these records, we can read things that cannot be seen from completed models alone. | ||
| + | |||
| + | | ||
| + | | ||
| + | | ||
| + | | ||
| + | * How the model reached a convincing completed form | ||
| + | |||
| + | Mr. Fukuda’s methods show reliable skill in handling materials, careful observation of aircraft forms, persistence in making corrections, | ||
| - | Mr. Fukuda’s methods—his choice of materials, precision in shaping, and meticulous finishing—embody the | + | This archive aims to preserve not only Mr. Fukuda’s completed works, |
| - | craftsmanship and analytical mindset that define Japan’s postwar solid modeling culture. | + | |
| - | This archive aims to preserve not only his techniques | + | |
| - | — Compiled | + | — Edited |
| </ | </ | ||
| + | ---- | ||
| - | ===== Modeling History (Self-Introduction) | + | ===== Model-Making History |
| - | Around 1954, I purchased | + | |
| + | <WRAP original-author-text> | ||
| + | **Model-making history based on Kazu Fukuda’s own description** | ||
| + | |||
| + | Around 1954, he purchased | ||
| + | Since then, he became fascinated | ||
| + | |||
| + | In 1965, he joined | ||
| + | From around | ||
| + | |||
| + | All of his models were made consistently in 1:50 scale. | ||
| + | |||
| + | He wished | ||
| + | </ | ||
| ---- | ---- | ||
| - | ===== Work ===== | + | |
| + | ===== Archival Significance | ||
| + | |||
| + | The importance of Mr. Fukuda’s records does not lie only in the fact that they show finely finished solid models. | ||
| + | |||
| + | More importantly, | ||
| + | |||
| + | In many model introductions, | ||
| + | In Mr. Fukuda’s records, however, the intermediate stages of making are also carefully preserved. | ||
| + | |||
| + | As a result, we can follow processes such as the following: | ||
| + | |||
| + | * Preparing materials | ||
| + | * Rough cutting and shaping | ||
| + | * Trial fitting | ||
| + | * Finding problems | ||
| + | * Making corrections | ||
| + | * Surface preparation | ||
| + | * Painting | ||
| + | * Markings | ||
| + | * Making small parts | ||
| + | * Final assembly | ||
| + | * Recording the completed model | ||
| + | |||
| + | Mr. Fukuda’s records are not only records of craftsmanship. | ||
| + | They are also a **visual archive showing how form was seen, judged, corrected, and brought closer to completion**. | ||
| + | |||
| + | They show that a solid model is not simply made according to drawings. | ||
| + | Rather, its form is gradually established through repeated observation and judgment. | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== Works and Records ===== | ||
| + | |||
| + | The following pages introduce Kazu Fukuda’s solid model construction records. | ||
| + | |||
| + | These are not only records of completed models. | ||
| + | They are also records of process, observation, | ||
| + | |||
| + | Each record has a different page structure, because the condition of the source materials and the character of each record are different. | ||
| + | |||
| + | <WRAP round box 95%> | ||
| + | **Main records introduced on this page** | ||
| + | |||
| + | * Focke-Wulf Fw 190 D-9 — detailed construction process record | ||
| + | * Heinkel He 115 B — reform record of a model that was reopened after completion | ||
| + | * Focke-Wulf Fw 200 C-3 — parts-based and process-based construction record of a large four-engined aircraft | ||
| + | </ | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== Published Records ===== | ||
| <WRAP box round 90%> | <WRAP box round 90%> | ||
| - | **Fw190-D9 (1:50) Construction Record** | + | ==== Focke-Wulf Fw 190 D-9 ==== |
| - | [[en: | + | |
| + | **Type of record**: Detailed construction process record\\ | ||
| + | **Scale**: | ||
| + | **Status**: Published\\ | ||
| + | |||
| + | This record follows the construction of a Focke-Wulf Fw 190 D-9 solid model from materials, shaping, surface preparation, | ||
| + | |||
| + | This is one of the most important records in this archive. | ||
| + | |||
| + | It is important because it shows not only the completed model, but also the steps through which the form gradually came into being. | ||
| + | |||
| + | The value of this record lies in the visibility of the making process. | ||
| + | Readers can follow how the model begins with material and outline, and gradually approaches the form of a completed aircraft. | ||
| + | |||
| + | [[en: | ||
| </ | </ | ||
| - | < | + | < |
| - | [[en:start|← Back to Site Home]] | + | ==== Heinkel He 115 B ==== |
| + | |||
| + | **Type of record**: Reform record of an existing completed model\\ | ||
| + | **Scale**: 1:50\\ | ||
| + | **Status**: Published\\ | ||
| + | |||
| + | This record shows the process of reforming and refinishing a Heinkel He 115 B solid model. | ||
| + | |||
| + | Unlike an ordinary construction record, this is the record of a model that had once been completed. | ||
| + | After many years, the model had deteriorated. Mr. Fukuda reopened it and carried out a major reform. | ||
| + | |||
| + | This record follows the removal of the old nose section, the stripping of deteriorated paint, the reconstruction of the nose and canopy areas, surface preparation, | ||
| + | |||
| + | For that reason, the He 115 B record is especially important within this archive. | ||
| + | |||
| + | This record shows that completion is not always the end of making. | ||
| + | Even a completed model can be reconsidered, | ||
| + | |||
| + | In this archive, the record is preserved in two layers. | ||
| + | |||
| + | * **Original pages** — pages preserving the record structure based on the original forum posts | ||
| + | * **Reading and reconstructed pages** — pages that organize the reform process chronologically and interpretively | ||
| + | |||
| + | [[en: | ||
| </ | </ | ||
| + | <WRAP box round 90%> | ||
| + | ==== Focke-Wulf Fw 200 C-3 ==== | ||
| + | **Type of record**: Parts-based and process-based construction record\\ | ||
| + | **Scale**: 1:50\\ | ||
| + | **Status**: Published\\ | ||
| + | This record introduces the construction process of Kazu Fukuda’s Focke-Wulf Fw 200 C-3 solid model. | ||
| + | The Fw 200 C-3 is a large multi-engined aircraft, and its construction includes many processes: fuselage, wings, nacelles, engines, propellers, armament, landing gear, painting, and markings. | ||
| + | A distinctive feature of this record is that the original materials were divided by parts and processes. | ||
| + | For that reason, this archive has checked the dates and order of work as far as possible and reconstructed the construction process in chronological order. | ||
| + | This record allows readers to follow processes such as the following: | ||
| + | |||
| + | * Material cutting and the emergence of the overall form | ||
| + | * Fuselage interior, cockpit, canopies, machine guns, and gondola work | ||
| + | * Nacelles, cowlings, and attachment to the wings | ||
| + | * Making spinners and propellers | ||
| + | * Making engines, bombs, and accessory parts | ||
| + | * Painting and markings | ||
| + | * Final assembly and completion | ||
| + | |||
| + | The Fw 200 C-3 record is an important source because it shows how a large and complex multi-engined aircraft was divided into parts, understood process by process, and finally integrated into one completed form. | ||
| + | |||
| + | This record also includes the judgment not to proceed immediately to the next stage, but to wait for the putty to dry thoroughly. | ||
| + | In that sense, it is not only a record of “making, | ||
| + | |||
| + | [[en: | ||
| + | </ | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== Record List ===== | ||
| + | |||
| + | ^ Aircraft ^ Type of Record ^ Scale ^ Main Contents ^ Link ^ | ||
| + | | Focke-Wulf Fw 190 D-9 | Detailed construction process record | 1:50 | Materials, shaping, surface preparation, | ||
| + | | Heinkel He 115 B | Reform record of an existing completed model | 1:50 | Discovery of deterioration, | ||
| + | | Focke-Wulf Fw 200 C-3 | Parts-based and process-based construction record | 1:50 | Material cutting, interiors, nacelles, engines, painting, completion of a large multi-engined aircraft | [[en: | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== How to Read These Records ===== | ||
| + | |||
| + | The published records should not all be read in the same way. | ||
| + | |||
| + | The **Fw 190 D-9** record is a detailed construction process record. | ||
| + | It shows how the model was made from the beginning and how the aircraft form gradually appeared. | ||
| + | |||
| + | The **He 115 B** record is different. | ||
| + | It is a reform record of a model that had already been completed once. | ||
| + | Its importance lies in showing how a completed work was reopened, judged again, corrected, and brought once more toward completion. | ||
| + | |||
| + | The **Fw 200 C-3** record is a record of making a large multi-engined aircraft through parts-based and process-based work. | ||
| + | In this record, the original arrangement of the source materials is not simply accepted as it was. Instead, the record has been reconstructed as far as possible according to confirmed dates and the flow of construction. | ||
| + | |||
| + | These three records show why Mr. Fukuda’s work is important to the Solid Model Archive. | ||
| + | |||
| + | What is preserved there is not only what was made. | ||
| + | |||
| + | It is also how it was seen, judged, corrected, and established as form. | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== What Fukuda’s Records Show ===== | ||
| + | |||
| + | When we read Mr. Fukuda’s records, we can see that solid model making involves not only manual skill, but also decisions such as the following: | ||
| + | |||
| + | <WRAP round box 95%> | ||
| + | **Construction judgments visible in Fukuda’s records** | ||
| + | |||
| + | * What material to use | ||
| + | * At what stage to carry out trial fitting | ||
| + | * How much of the interior to make | ||
| + | * Which parts to attach first, and which parts to leave until later | ||
| + | * When to proceed to painting | ||
| + | * When to wait | ||
| + | * Whether to reopen and reform a model after completion | ||
| + | </ | ||
| + | |||
| + | Such decisions are difficult to read from completed model photographs alone. | ||
| + | |||
| + | However, because Mr. Fukuda left photographs and text from the making process, we can follow the sequence of judgments behind the completed models. | ||
| + | |||
| + | This is where the great archival value of Mr. Fukuda’s records lies. | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== Note on Historical Aircraft Subjects ===== | ||
| + | |||
| + | Some aircraft subjects and markings in these records belong to wartime historical contexts. | ||
| + | |||
| + | They are presented here solely as part of the historical and documentary record of scale model making. | ||
| + | |||
| + | The purpose of this archive is not to endorse any ideology or military action. | ||
| + | |||
| + | Its purpose is to preserve and study the techniques, processes, judgments, and records of solid model making. | ||
| + | |||
| + | ---- | ||
| + | |||
| + | ===== Navigation ===== | ||
| + | |||
| + | <WRAP center round box 95%> | ||
| + | [[en: | ||
| + | | [[en: | ||
| + | | [[en: | ||
| + | | [[en: | ||
| + | </ | ||
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